THE COLLECTION
Exodus, or the Voluntary Prisoners of Architecture, Prologue, project
Rem Koolhaas (Dutch, born 1944), and Elia Zenghelis (British, born Greece 1937), Madelon Vriesendorp (Dutch, born 1945) and Zoe Zenghelis (British, born Greece 1937)
1972. Gelatin silver photographs on board, 16 1/4 x 11 1/2" (41.3 x 29.2 cm). Patricia Phelps de Cisneros Purchase Fund, Takeo Ohbayashi Purchase Fund, and Susan de Menil Purchase Fund. © 2010 Rem Koolhaas
360.1996
75 Years of Architecture at MoMA
2007
These drawings come from a series of eighteen drawings, watercolors, and collages called Exodus, or the Voluntary Prisoners of Architecture. The dense pictographic storyboard reflects Koolhaas's earlier stints as journalist and screenwriter and is intended to be read simultaneously as a factual and a fictional scenario for the contemporary metropolis.
The title of the project alludes to Cold War West Berlin, a restricted enclave encircled by a forbidding wall—in effect, a prison on the scale of a metropolis, and one in which people sought refuge voluntarily. Exodus proposes a walled city in a long strip, with tall barriers that cut through London's urban fabric—an intervention designed to create a new urban culture invigorated by architectural innovation and political subversion. Here Koolhaas and his collaborators use collage to create vivid scenes of life within these visionary urban confines.
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